BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sabre//Sabre VObject 4.6.1//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:Europe/Zurich X-LIC-LOCATION:Europe/Zurich TZURL:http://tzurl.org/zoneinfo/Europe/Zurich BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19810329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19961027T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:news572@kunstgeschichte.philhist.unibas.ch DTSTAMP;TZID=Europe/Zurich:20260907T120052 DTSTART;TZID=Europe/Zurich:20261021T093000 SUMMARY:Kirstin Ringelberg: “Toute La Flore Vivante”: Floral Still Life ’s Gender Potential DESCRIPTION:Please send an email to lesbiangaze-kunsthist@unibas.ch (limit ed number of participants)\\r\\nThe workshop will bring participants into shared discussion of how art history has supported false taxonomical binar isms—in gender\, genre\, style\, and content—and how we might undo th ese to have a richer understanding of both art and life. Readings will inc lude essays by Ringelberg (two of which unpublished) as well as texts by D avid J. Getsy and Emma Heaney. In the second part of the workshop\, partic ipants will have the opportunity to contribute specific questions related to their own research that resonate with the workshop’s readings and the mes.Readings:– Ringelberg\, Kirstin. “Reading Cisheteronormativity int o the Art Historical Archives.” Arts 13\, Nr. 3 (2024): 89. https://doi .org/10.3390/arts13030089 [https://doi.org/10.3390/arts13030089]\\r\\n– Ringelberg\, Kirstin. “Beyond Sex and Gender Binaries: The Floral Still Lives of Madeleine Lemaire (1845–1928).” [draft]– Ringelberg\, Kirst in. “Introduction.” Chez Madeleine Lemaire: Gender and Genre in the Qu eer Belle Époque (in progress) [draft]– Getsy\, David J. “Capacity. ” TSQ: Transgender Studies Quarterly 1\, no. 1–2 (May 2014): 47–49 .– Heaney\, Emma. “Introduction: Sexual Difference without Cisness.” In Feminism Against Cisness\, edited by Emma Heaney\, 1–33. Durham\, N C: Duke University Press\, 2024.Kirstin Ringelberg is Professor of Art His tory in the Department of History & Geography at Elon University in North Carolina. Their book Redefining Gender in American Impressionist Studio P aintings: Work Place/Domestic Space was re-released in paperback in 2017. Recent articles include “Reading Cisheteronormativity into the Art Hi storical Archives” in Arts\, spring 2024\, “Trans visibility and trans viability: a Roundtable\,” co-edited\, with Jill Casid and Cyle Metzger \, in the Journal of Visual Culture in 2022\, and “Prismatic Views: a lo ok at the growing field of transgender art and visual culture studies\,” co-authored with Cyle Metzger in the Journal of Visual Culture in 2020.  In 2024\, Ringelberg was the Every Page Foundation Fellow at the Clark A rt Institute\, for work on their book-length project Chez Madeleine Lemair e: Gender and Genre in the Queer Belle Époque (in progress). X-ALT-DESC:

Please send an email to \;lesbiangaze-kunsthist@unibas.c h (limited number of participants)

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The workshop will bring participants into shared discussion of how art his tory has supported false taxonomical binarisms—in gender\, genre\, \ ;style\, and content—and how we might undo these to have a richer unders tanding of both art and life. Readings will include essays by Ringelberg ( two of which unpublished) as well as texts by David J. Getsy and Emma Hean ey. In the second part of the workshop\, participants will have the opport unity to contribute specific questions related to their own research that resonate with the workshop’s readings and themes.

Readings:– Ringelberg\, Kirstin. “Reading Cisheteronormativity into the Art Historical Archives.” Arts 13\, Nr. 3 (2024): 89. \;https://doi.org/10.3390/arts1303008 9

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– Ringelberg\, Kirstin. “Beyond Sex and Gender Binaries: The Floral Still Lives of Madeleine Lemaire (1845–1928).” [draft]
– Ringelberg\, Kirstin. “Introduction.” Chez Madeleine Lemaire: Gender and Genre in the Queer Belle Époque (in progress) [draft]
– Getsy\, David J. “Capacity.” \;TSQ: Transgender Studies Q uarterly \;1\, no. 1–2 (May 2014): 47–49.
– Heaney\, Em ma. “Introduction: Sexual Difference without Cisness.” In \;Fem inism Against Cisness\, edited by Emma Heaney\, 1–33. Durham\, NC: D uke University Press\, 2024.

Kirstin Ringelberg is Professor of Art History in the Department of History &\; Geography at Elon Univers ity in North Carolina. \;Their book Redefining Gender in American I mpressionist Studio Paintings: Work Place/Domestic Space \;was re- released in paperback in 2017. Recent \;articles include \;“Read ing Cisheteronormativity into the Art Historical Archives” in Arts\, spring 2024\, “Trans visibility and trans viability: a Roundtable\, ” co-edited\, with Jill Casid and Cyle Metzger\, in the Journal of Vi sual Culture in 2022\, and “Prismatic Views: a look at the growing f ield of transgender art and visual culture studies\,” co-authored with C yle Metzger in the Journal of Visual Culture in 2020. \;In 2024 \, \;Ringelberg \;was the Every Page Foundation Fellow at the Clar k Art Institute\, for work on their book-length project Chez Madeleine Lemaire: Gender and Genre in the Queer Belle Époque (in progress).

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