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UID:news502@kunstgeschichte.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20241120T172738
DTSTART;TZID=Europe/Zurich:20241211T143000
SUMMARY:New Media: Critical Interventions
DESCRIPTION:By the time scholarly inquiry learns to adequately describe the
  phenomena of new media\, these are often no longer new. Yet\, closer exam
 ination reveals that contemporary technologies themselves rapidly become a
 nachronistic\, compelling us to look both backward and forward in time.\\r
 \\nThis workshop aims to engage with questions posed by new or once-new me
 dia from a transdisciplinary perspective\, bringing together art historian
 s\, media scholars and philosophers to consider both the disciplinary inve
 stment in new media\, as well as specific themes\, practices\, and example
 s.\\r\\nProgram (pdf [https://eikones.philhist.unibas.ch/fileadmin/user_up
 load/eikones/241211_NewMedia_program.pdf])\\r\\nProgram\\r\\n 	 		 			14.3
 0 			Welcome\, coffee 		 		 			15.15 			Introduction 		 		 			15.30 			 		
 	Massimo Leone 			«Trompe-l’œil» and «Trompe-l‘esprit»: On Decept
 ion in Old and New Media 			 		 		 			16.20 			Coffee 		 		 			16.30 			 	
 		Aïcha Revellat 			«It‘s Alive»: On Holographic Spectres 			 		 		 
 			17.20 			Coffee 		 		 			17.30 			 			Estelle Blaschke 			What is Smart
  about Smartphone Photography? 			 		 		 			18.20 			Coffee 		 		 			18.30
  			 			Lior Levy 			Held in Hand – Thinking the Face via Selfies 			 	
 	 		 			19.20 			Concluding discussion 		 		 			19.30 			Apéro
X-ALT-DESC:<p>By the time scholarly inquiry learns to adequately describe t
 he phenomena of new media\, these are often no longer new. Yet\, closer ex
 amination reveals that contemporary technologies themselves rapidly become
  anachronistic\, compelling us to look both backward and forward in time.<
 /p>\n<p>This workshop aims to engage with questions posed by new or once-n
 ew media from a transdisciplinary perspective\, bringing together art hist
 orians\, media scholars and philosophers to consider both the disciplinary
  investment in new media\, as well as specific themes\, practices\, and ex
 amples.</p>\n<p>Program (<a href="https://eikones.philhist.unibas.ch/filea
 dmin/user_upload/eikones/241211_NewMedia_program.pdf" target="_blank">pdf<
 /a>)</p>\n<p dir="ltr">Program</p>\n<table> 	<tbody> 		<tr> 			<td>14.30</
 td> 			<td>Welcome\, coffee</td> 		</tr> 		<tr> 			<td>15.15</td> 			<td>I
 ntroduction</td> 		</tr> 		<tr> 			<td>15.30</td> 			<td> 			<p>Massimo Le
 one<br /> 			«Trompe-l’œil» and «Trompe-l‘esprit»: On Deception i
 n Old and New Media</p> 			</td> 		</tr> 		<tr> 			<td>16.20</td> 			<td>C
 offee</td> 		</tr> 		<tr> 			<td>16.30</td> 			<td> 			<p>Aïcha Revellat
 <br /> 			«It‘s Alive»: On Holographic Spectres</p> 			</td> 		</tr> 	
 	<tr> 			<td>17.20</td> 			<td>Coffee</td> 		</tr> 		<tr> 			<td>17.30</td
 > 			<td> 			<p>Estelle Blaschke<br /> 			What is Smart about Smartphone P
 hotography?</p> 			</td> 		</tr> 		<tr> 			<td>18.20</td> 			<td>Coffee</t
 d> 		</tr> 		<tr> 			<td>18.30</td> 			<td> 			<p>Lior Levy<br /> 			Held 
 in Hand – Thinking the Face&nbsp\;via Selfies</p> 			</td> 		</tr> 		<tr
 > 			<td>19.20</td> 			<td>Concluding discussion</td> 		</tr> 		<tr> 			<t
 d>19.30</td> 			<td>Apéro</td> 		</tr> 	</tbody> </table>\n\n
DTEND;TZID=Europe/Zurich:20241211T193000
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