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UID:news553@kunstgeschichte.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20260512T170441
DTSTART;TZID=Europe/Zurich:20260518T100000
SUMMARY:Queer Art History – Methods and Terms
DESCRIPTION:Program\\r\\n10 am – 12 pm (Kunstmuseum Basel)Opening input b
 y Jonathan D. Katz\\r\\nJoint walkthrough of the exhibition The First Homo
 sexuals and discussion of selected works\\r\\n12 pm – 1.30 pmLunch brea
 k \\r\\n1.30 pm – 3.30 pm (eikones)Discussion of methods and terms\, ba
 sed on selected readings from the catalog The First Homosexuals: The Birth
  of a New Identity 1869–1939 (ed. Jonathan D. Katz with Johnny Willis\,
  New York 2025):\\r\\nJonathan D. Katz\, “Introduction\,” pp. 8–15Do
 uglas Pretsell\, “The Crucible of Sexual Orientation: Sexual Theories an
 d Identities in Nineteenth-Century Germany\,” pp. 38–43Catherine Gonna
 rd and Tirza True Latimer\, “Unbecoming Women: Becoming Lesbians in the 
 Arts\, 1850s–1920s France\,” pp. 80–87Joseph Shaikewitz\, “Inversi
 ons: Errancy and Abundance in Brazil and the Southern Cone\,” pp. 236–
 243\\r\\n3.30 pm – 4.30 pm (eikones)Coffee break \\r\\n4.30 pm – 6 pm
  (eikones)\\r\\nNew Directions Doctoral Forum: Queer Methodologies\\r\\nPr
 esentations of newly starting dissertation projects: \\r\\n– Sarah Bric
 ke (PhD Candidate\, Art History\, Theory and Criticism\, Department of Vis
 ual Arts\, University of California\, San Diego): “Without Permission: A
 rtistic Interventions and Spaces of Encounter at the Hudson River Piers”
 – Eli Ståhl (PhD Candidate\, Institute for Art Theory and Cultural Stud
 ies\, Akademie der bildenden Künste Wien): “Between Abstraction and Fig
 uration: Gender Nonconformity in Twentieth Century Painting”\\r\\n6 pmA
 pero \\r\\nLimited number of participants. To register and receive the re
 adings as a PDF\, please write to: charlotte.matter@unibas.ch
X-ALT-DESC:<p><strong>Program</strong></p>\n<p><strong>10 am – 12 pm</str
 ong> (Kunstmuseum Basel)<br />Opening input by Jonathan D. Katz</p>\n<p>Jo
 int walkthrough of the exhibition <i>The First Homosexuals</i>&nbsp\;and d
 iscussion of selected works</p>\n<p><strong>12 pm – 1.30 pm</strong><br 
 />Lunch break&nbsp\;</p>\n<p><strong>1.30 pm – 3.30 pm</strong> (eikones
 )<br />Discussion of methods and terms\, based on selected readings from t
 he catalog <i>The First Homosexuals: The Birth of a New Identity 1869–19
 39</i>&nbsp\;(ed. Jonathan D. Katz with Johnny Willis\, New York 2025):</p
 >\n<ul><li><span>Jonathan D. Katz\, “Introduction\,” pp. 8–15</span>
 </li><li><span>Douglas Pretsell\, “The Crucible of Sexual Orientation: S
 exual Theories and Identities in Nineteenth-Century Germany\,” pp. 38–
 43</span></li><li><span>Catherine Gonnard and Tirza True Latimer\, “Unbe
 coming Women: Becoming Lesbians in the Arts\, 1850s–1920s France\,” pp
 . 80–87</span></li><li><span>Joseph Shaikewitz\, “Inversions: Errancy 
 and Abundance in Brazil and the Southern Cone\,” pp. 236–243</span></l
 i></ul>\n<p>3.30 pm – 4.30 pm (eikones)<br />Coffee break&nbsp\;</p>\n<p
 >4.30 pm – 6 pm (eikones)</p>\n<p>New Directions Doctoral Forum: Queer M
 ethodologies</p>\n<p>Presentations of newly starting dissertation projects
 :&nbsp\;</p>\n<p>– Sarah Bricke (PhD Candidate\, Art History\, Theory an
 d Criticism\, Department of Visual Arts\, University of California\, San D
 iego): “Without Permission: Artistic Interventions and Spaces of Encount
 er at the Hudson River Piers”<br />– Eli Ståhl (PhD Candidate\, Insti
 tute for Art Theory and Cultural Studies\, Akademie der bildenden Künste 
 Wien): “Between Abstraction and Figuration: Gender Nonconformity in Twen
 tieth Century Painting”</p>\n<p>6&nbsp\;pm<br />Apero&nbsp\;</p>\n<p><st
 rong>Limited number of participants. To register and receive the readings 
 as a PDF\, please write to:&nbsp\;</strong><a href="mailto:charlotte.matte
 r@unibas.ch"><strong>charlotte.matter@unibas.ch</strong></a></p>
DTEND;TZID=Europe/Zurich:20260518T153000
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