BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Sabre//Sabre VObject 4.5.8//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:Europe/Zurich
X-LIC-LOCATION:Europe/Zurich
TZURL:http://tzurl.org/zoneinfo/Europe/Zurich
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:19810329T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:19961027T030000
RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
UID:news94@kunstgeschichte.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20181015T141129
DTSTART;TZID=Europe/Zurich:20181016T180000
SUMMARY:Vorlesung: Unbuilding Gender: Trans* Anarchitectures In and Beyond 
 the Work of Gordon Matta-Clark 
DESCRIPTION:Jack Halberstam\, Professor of English and Gender Studies at Co
 lumbia University\, New York\\r\\nIn Kooperation mit Gender Studies\, Urba
 n Studies\\r\\nModeration: Dominique Grisard\\r\\nIn  this present talk\, 
 I look towards anarchitectural practices of unmaking  as promulgated by th
 e American artist Gordon Matta-Clark (1943–1978)  and I link the ideas o
 f unbuilding and creative destruction that  characterize his work to devel
 op a queer concept of anarchitecture  focused upon the transbody . The con
 cept of “anarchitecture” is  attributed mainly to Matta-Clark\, whose 
 inventive site-specific cuts  into abandoned buildings demonstrated an app
 roach to the concept of home  and to the market system of real estate that
  was anarchistic\,  creatively destructive\, and full of queer promise. Of
  course\, this is  not to say that Matta-Clark nor any of the participants
  in the  Anarchitecture group that he helped to found in downtown Manhatta
 n in  1973 and ’74 would have understood their work in this sense. Rathe
 r\, we  might take up the challenge offered by Matta-Clark’s anarchitect
 ural  projects\, in order to spin contemporary conversations about queer a
 nd  trans* politics away from notions of respectability and inclusion and 
  towards an anti-political orientation to unmaking a world within which  q
 ueers and trans people\, homeless people and immigrants are cast as  probl
 ems for the neoliberal state.\\r\\nHalberstam is  currently working on a b
 ook titled WILD THING on queer anarchy\,  performance and protest culture\
 , the visual representation of anarchy  and the intersections between anim
 ality\, the human and the environment.
X-ALT-DESC:Jack Halberstam\, Professor of English and Gender Studies at Col
 umbia University\, New York\nIn Kooperation mit Gender Studies\, Urban Stu
 dies\n<b>Moderation: Dominique Grisard</b>\nIn  this present talk\, I look
  towards anarchitectural practices of unmaking  as promulgated by the Amer
 ican artist Gordon Matta-Clark (1943–1978)  and I link the ideas of unbu
 ilding and creative destruction that  characterize his work to develop a q
 ueer concept of anarchitecture  focused upon the transbody . The concept o
 f “anarchitecture” is  attributed mainly to Matta-Clark\, whose invent
 ive site-specific cuts  into abandoned buildings demonstrated an approach 
 to the concept of home  and to the market system of real estate that was a
 narchistic\,  creatively destructive\, and full of queer promise. Of cours
 e\, this is  not to say that Matta-Clark nor any of the participants in th
 e  Anarchitecture group that he helped to found in downtown Manhattan in  
 1973 and ’74 would have understood their work in this sense. Rather\, we
   might take up the challenge offered by Matta-Clark’s anarchitectural  
 projects\, in order to spin contemporary conversations about queer and  tr
 ans* politics away from notions of respectability and inclusion and  towar
 ds an anti-political orientation to unmaking a world within which  queers 
 and trans people\, homeless people and immigrants are cast as  problems fo
 r the neoliberal state.\n<b>Halberstam</b> is  currently working on a book
  titled WILD THING on queer anarchy\,  performance and protest culture\, t
 he visual representation of anarchy  and the intersections between animali
 ty\, the human and the environment.
DTEND;TZID=Europe/Zurich:20181016T200000
END:VEVENT
END:VCALENDAR
