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UID:news569@kunstgeschichte.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20260826T161011
DTSTART;TZID=Europe/Zurich:20260911T000000
SUMMARY:Conceptual Art in the Expanded Field: Past\, Present\, Future Works
 hop
DESCRIPTION:Workshop Program\\r\\nThursday\, September 10th\, 6–8 pm\, Ke
 ynote lectureProf. Sabeth Buchmann (Academy of Fine Arts Vienna): “The G
 esturally Expanded Field of (Proto-Feminist) Conceptual Art: The Artistic 
 Practices of Blythe Bohnen and Rosemarie Castoro”\\r\\nFriday\, Septembe
 r 11th\\r\\nMorning9.30–10 am: Louis-Antoine Mege\, Welcome and introduc
 tory remarks10–10.45 am: Michele Valetti\, From Phenomena to Geometries:
  Laura Grisi’s Conceptual Trajectory in Italy (1968-1977)\\r\\nBreak\\r\
 \n11–11.45 am: Paula Stoica\, “Homer wrote and I copied:” On Hanne D
 arboven’s Odyssee11.45–12.30 pm: Elize Mazadiego\, The Art of Gossip: 
 Ulises Carrión\, marginal communication\, and queer conceptualism12.30–
 14 pm: Lunch break\\r\\nAfternoon2–2.45 pm: Anja Delz\, Akin to letters:
  Theresa Hak Kyung Cha’s correspondence art in Amsterdam2.45–3.30 pm: 
 Rada Georgieva\, Geographies of Exile: Guillermo Deisler\, Juan Downey\, a
 nd Uneven Visibility in Chilean Conceptualism\\r\\nBreak\\r\\n4–4.45 pm:
  Sezgin Boynik\, The Portrait of Yugoslavia in the Style of Art & Language
  (online)4.45–5.30 pm: Felix Vogel\, (De-)Declaration\, Intention\, Exhi
 bition Form\\r\\nSaturday\, September 12th\\r\\nMorning9–9.45 am: Markus
  Klammer\, “So is this”. Indexicality in Michael Snow9.45–10.30 am: 
 Emma Wils\, The section of photography in On Kawara’s Journals: A Margin
 al Practice between Document\, City\, and Temporality\\r\\nBreak\\r\\n11
 –11.30 am: Alena J. Williams\, Limited Holdings: Conceptualism and Time 
 in Contemporary Art11.30–12.15 pm: Sara Martinetti\, Jean-Noël Herlin 
 “prepared” archive (online)12.15–12.30 pm: Closing remarks\\r\\nFor 
 questions\, please contact paula.stoica@unibas.ch [mailto:paula.stoica@un
 ibas.ch] or louis-a.mege@live.fr [mailto:louis-a.mege@live.fr]\\r\\nThis 
 event marks the first step toward a transnational research network on conc
 eptual art\, with the ambition of developing future workshops\, symposia\,
  publications\, and collaborative projects between Basel\, Fribourg\, Pari
 s\, and beyond.
X-ALT-DESC:<p><strong>Workshop Program</strong></p>\n<p><strong><u>Thursday
 \, September 10</u><sup><u>th</u></sup><u>\, </u>6–8 pm\, Keynote lectur
 e</strong><br /><strong>Prof. Sabeth Buchmann</strong> (Academy of Fine Ar
 ts Vienna): “The Gesturally Expanded Field of (Proto-Feminist) Conceptua
 l Art: The Artistic Practices of Blythe Bohnen and Rosemarie Castoro”</p
 >\n<p><strong><u>Friday\, September 11</u><sup><u>th</u></sup></strong></p
 >\n<p><i>Morning</i><br />9.30–10 am: <strong>Louis-Antoine Mege</strong
 >\, Welcome and introductory remarks<br />10–10.45 am: <strong>Michele V
 aletti</strong>\, From Phenomena to Geometries: Laura Grisi’s Conceptual
  Trajectory in Italy (1968-1977)</p>\n<p><i>Break</i></p>\n<p>11–11.45 a
 m: <strong>Paula Stoica</strong>\, “Homer wrote and I copied:” On Hann
 e Darboven’s <i>Odyssee</i><br />11.45–12.30 pm: <strong>Elize Mazadie
 go</strong>\, The Art of Gossip: Ulises Carrión\, marginal communication\
 , and queer conceptualism<br /><i>12.30–14 pm: Lunch break</i></p>\n<p><
 i>Afternoon</i><br />2–2.45 pm: <strong>Anja Delz</strong>\, Akin to let
 ters: Theresa Hak Kyung Cha’s correspondence art in Amsterdam<br />2.45
 –3.30 pm: <strong>Rada Georgieva</strong>\, Geographies of Exile: Guille
 rmo Deisler\, Juan Downey\, and Uneven Visibility in Chilean Conceptualism
 </p>\n<p><i>Break</i></p>\n<p>4–4.45 pm: <strong>Sezgin Boynik</strong>\
 , The Portrait of Yugoslavia in the Style of Art &amp\; Language (online)<
 br />4.45–5.30 pm: <strong>Felix Vogel</strong>\, (De-)Declaration\, Int
 ention\, Exhibition Form</p>\n<p><strong><u>Saturday\, September 12</u><su
 p><u>th</u></sup></strong></p>\n<p><i>Morning</i><br />9–9.45 am: <stron
 g>Markus Klammer</strong>\, “So is this”. Indexicality in Michael Snow
 <br />9.45–10.30 am: <strong>Emma Wils</strong>\, The section of photogr
 aphy in On Kawara’s <i>Journals</i>: A Marginal Practice between Documen
 t\, City\, and Temporality</p>\n<p><i>Break</i></p>\n<p>11–11.30 am: <st
 rong>Alena J. Williams</strong>\, Limited Holdings: Conceptualism and Time
  in Contemporary Art<br />11.30–12.15 pm: <strong>Sara Martinetti</stron
 g>\, Jean-Noël Herlin “prepared” archive (online)<br />12.15–12.30 
 pm: Closing remarks</p>\n<p>For questions\, please contact&nbsp\;<a href="
 mailto:paula.stoica@unibas.ch">paula.stoica@unibas.ch</a> or&nbsp\;<a href
 ="mailto:louis-a.mege@live.fr">louis-a.mege@live.fr</a></p>\n<p><i>This ev
 ent marks the first step toward a transnational research network on concep
 tual art\, with the ambition of developing future workshops\, symposia\, p
 ublications\, and collaborative projects between Basel\, Fribourg\, Paris\
 , and beyond.</i></p>\n\n\n
DTEND;TZID=Europe/Zurich:20260912T000000
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